Irama Rahasia dibalik Videotape-nya Radiohead
Featured • Music

Irama Rahasia dibalik Videotape-nya Radiohead

Irama yang dibuat Yorke dan kawan-kawan tersebut membutuhkan ke-jeniusan (kalau tidak mau dibilang gila) si pembuat lagu.

California - blink-182
9.0Featured • Review

California - blink-182

Dibuka dengan Cynical , sebuah lagu yang dimulai dengan santai namun kemudian dilanjutkan dengan beat kencang seperti kebanyakan lagu di Dude Ranch. Lagu kedua adalah Bored to Death , mengingatkan...

Kishi Bashi - Sonderlust
Featured • Review

Kishi Bashi - Sonderlust

K. Ishibashi atau lebih dikenal dengan Kishi Bashi merilis album ketiganya akhir September tahun ini. Album berisi 10 track ini diproduseri Kishi Bashi sendiri dan Chris Taylor (produser dan bassis...

Memperkenalkan Charlotte Cardin
Featured • Music

Memperkenalkan Charlotte Cardin

Saat blog ini masih aktif, saya sering kali memperkenalkan musisi-musisi asal Kanada. Dua tahun terakhir saya memang tidak mendengarkan banyak musisi baru, sampai Spotify masuk Indonesia. Charlotte...

Liga Musisi Bawah Tanah
Featured • Review

Liga Musisi Bawah Tanah

Liga Musisi Bawah Tanah adalah sekumpulan musisi yang senang sekali bermain musik sambil berkumpul di bawah tanah. Karena tempat asal dan tempat tinggal mereka di bawah tanah, segala sesuatu tentan...

Classic • review

Amadeus: A Great Mass Of Death

Amadeus: A Great Mass Of Death

Although 1984′s Amadeus, directed by Milos Forman, was not based on a true historical portrayal regarding Antonio Salieri’s disdain towards Mozart’s godlike musical gift, this masterpiece is a glorious celebration of the brilliance of Wolfgang Amadeus Mozart and his madness that galvanize such imaginative creativity and originality.

However, this motion picture is not entirely about Mozart himself, but further on the impact of Mozart’s prodigal gift on Salieri’s sanity which thrusts such dementia and obsession. In latin the word ‘amadeus’ is  defined as ‘Love of God’, and throughout the film, Salieri’s obsession with Mozart is highlighted by his self-conscious mediocrity and inferiority against Mozart’s divine gift. Salieri constantly questions God: “Why does God not give me talent? Why Mozart? Why does God love him, but not me?”

The torment of Salieri’s soul for the love of music was played and characterized perfectly by F. Murray Abraham. If Don Vito Corleone from the Godfather was a sensational character, Abraham’s performance as Salieri was chilling, gripping, and mind trembling.

Here’s a clip of one of my favorite scene from Amadeus of Salieri’s scheme to murder Mozart and claim The Requiem Mass as his masterpiece. Notice his love for music and enviousness towards Mozart that torments him deeply.